34
Rolf Cavael
48/Ja 191, 1948
Oil on fibreboard
Starting bid:
€ 2,500 Estimate:
€ 3,000 - 5,000End: 07-15-26 15:16:00 Berlin
07-15-26 09:16:00 New York
07-15-26 06:16:00 Los Angeles (29 days, 16h:38m)
07-15-26 09:16:00 New York
07-15-26 06:16:00 Los Angeles (29 days, 16h:38m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
34
Rolf Cavael
48/Ja 191, 1948
Oil on fibreboard
Starting bid:
€ 2,500 Estimate:
€ 3,000 - 5,000End: 07-15-26 15:16:00 Berlin
07-15-26 09:16:00 New York
07-15-26 06:16:00 Los Angeles (29 days, 16h:38m)
07-15-26 09:16:00 New York
07-15-26 06:16:00 Los Angeles (29 days, 16h:38m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
Rolf Cavael
1898 - 1979
48/Ja 191. 1948.
Oil on fibreboard.
Monogrammed in the lower right corner. Dated by hand on the reverse and inscribed with the work number “191”. 40 x 64 cm (15.7 x 25.1 in).
[AR].
PROVENANCE: Private collection, San Francisco
Collection, Luxembourg.
LITERATURE: Horst Keller, Cavael, Munich 1984, CR no. 1948/191.
In good condition. A few small brown and colored spots on the paint surface, likely caused in part in the studio. A few tiny chips of paint along the edges of the painting, as well as approximately 1–2 tiny surface glazes with some loss of color in the image, barely noticeable in the overall composition. The monogram in the “C” also shows minimal loss of color. The condition report was compiled in daylight with the aid of a UV light source, and to the best of our knowledge and belief.
1898 - 1979
48/Ja 191. 1948.
Oil on fibreboard.
Monogrammed in the lower right corner. Dated by hand on the reverse and inscribed with the work number “191”. 40 x 64 cm (15.7 x 25.1 in).
[AR].
PROVENANCE: Private collection, San Francisco
Collection, Luxembourg.
LITERATURE: Horst Keller, Cavael, Munich 1984, CR no. 1948/191.
In good condition. A few small brown and colored spots on the paint surface, likely caused in part in the studio. A few tiny chips of paint along the edges of the painting, as well as approximately 1–2 tiny surface glazes with some loss of color in the image, barely noticeable in the overall composition. The monogram in the “C” also shows minimal loss of color. The condition report was compiled in daylight with the aid of a UV light source, and to the best of our knowledge and belief.
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