148
Piero Dorazio
Ohne Titel, 1962
Watercolor
Starting bid:
€ 9,000 Estimate:
€ 10,000 - 15,000End: 07-15-26 16:13:00 Berlin
07-15-26 10:13:00 New York
07-15-26 07:13:00 Los Angeles (29 days, 18h:51m)
07-15-26 10:13:00 New York
07-15-26 07:13:00 Los Angeles (29 days, 18h:51m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
148
Piero Dorazio
Ohne Titel, 1962
Watercolor
Starting bid:
€ 9,000 Estimate:
€ 10,000 - 15,000End: 07-15-26 16:13:00 Berlin
07-15-26 10:13:00 New York
07-15-26 07:13:00 Los Angeles (29 days, 18h:51m)
07-15-26 10:13:00 New York
07-15-26 07:13:00 Los Angeles (29 days, 18h:51m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
Piero Dorazio
1927 - 2005
Ohne Titel. 1962.
Watercolor.
Signed and dated in the lower right. Inscribed "MG 835 -EDOM" on the reverse. On Fabriano wove paper (with the watermark). 46.5 x 47 cm (18.3 x 18.5 in). Sheet: 69,3 x 52,1 cm (27,16 x 20,47 in).
[MH].
• Using a multitude of diagonal, intersecting lines in a single hue, Dorazio creates a fascinating, complex, and vibrant structure.
• Dorazio participates in documenta II and III.
• In 1965, Dorazio is featured alongside Morris Louis, Kenneth Noland, Bridget Riley, Frank Stella, and others in the legendary exhibition “The Responsive Eye” at the Museum of Modern Art, New York.
PROVENANCE: Private collection, Frankfurt am Main (family-owned ever since).
In good condition. Barely noticeable mount staining. Tiny holes in the edges, probably caused in the studio. A few minor creases and fold marks in places.
1927 - 2005
Ohne Titel. 1962.
Watercolor.
Signed and dated in the lower right. Inscribed "MG 835 -EDOM" on the reverse. On Fabriano wove paper (with the watermark). 46.5 x 47 cm (18.3 x 18.5 in). Sheet: 69,3 x 52,1 cm (27,16 x 20,47 in).
[MH].
• Using a multitude of diagonal, intersecting lines in a single hue, Dorazio creates a fascinating, complex, and vibrant structure.
• Dorazio participates in documenta II and III.
• In 1965, Dorazio is featured alongside Morris Louis, Kenneth Noland, Bridget Riley, Frank Stella, and others in the legendary exhibition “The Responsive Eye” at the Museum of Modern Art, New York.
PROVENANCE: Private collection, Frankfurt am Main (family-owned ever since).
In good condition. Barely noticeable mount staining. Tiny holes in the edges, probably caused in the studio. A few minor creases and fold marks in places.
