127
Hermann Stenner
Stillleben mit Tierfiguren und einem Buch (Hahn, Henne und Schachtel), 1913
Oil on cardboard
Starting bid:
€ 11,000 Estimate:
€ 12,000 - 15,000End: 07-15-26 16:03:00 Berlin
07-15-26 10:03:00 New York
07-15-26 07:03:00 Los Angeles (29 days, 19h:05m)
07-15-26 10:03:00 New York
07-15-26 07:03:00 Los Angeles (29 days, 19h:05m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
127
Hermann Stenner
Stillleben mit Tierfiguren und einem Buch (Hahn, Henne und Schachtel), 1913
Oil on cardboard
Starting bid:
€ 11,000 Estimate:
€ 12,000 - 15,000End: 07-15-26 16:03:00 Berlin
07-15-26 10:03:00 New York
07-15-26 07:03:00 Los Angeles (29 days, 19h:05m)
07-15-26 10:03:00 New York
07-15-26 07:03:00 Los Angeles (29 days, 19h:05m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
Hermann Stenner
1891 - 1914
Stillleben mit Tierfiguren und einem Buch (Hahn, Henne und Schachtel). 1913.
Oil on cardboard.
Inscribed “Stenner 1913” by hand on the reverse. 33.3 x 31.5 cm (13.1 x 12.4 in).
[AR].
• A pronounced simplification of form and colo6r, revealing Hermann Stenner’s full, expressive creative vision.
• 1913 is considered a productive and successful creative year, during which his artistic abilities reached a peak.
• Following his early death on the Polish Eastern Front, he left behind a small but significant body of work of great artistic quality.
PROVENANCE: Erich Stenner, Bielefeld.
Galerie Schlichtenmaier, Grafenau.
Rolf Deyhle Collection, Stuttgart.
Hermann-Josef Bunte Collection, Hamburg/Bielefeld (acquired from the aforementioned).
Private collection, Southern Germany.
EXHIBITION: (Selection): Hermann Stenner 1891–1914, Galerie Schlichtenmaier, Dätzingen Castle, Nov. 27, 1988–Jan. 14, 1989, cat. no. 16, illustrated on p. 16.
Vom Anspruch der Farbe. Adolf Hölzel und seine Wirkung, Kunststiftung Hohenkarpfen, March 18–May 21, 1989, cat. no. 71.
Stillleben südwestdeutscher Künstler 1900–1950, Kunststiftung Hohenkarpfen, July 7–November 24, 2002, cat. no. 27, illustration 9, p. 20.
Hermann Stenner und der Hölzel-Kreis. Malerei und Graphik aus der Sammlung Bunte, Kunststiftung Hohenkarpfen, Apr. 13–Aug. 17, 2003, cat. no. 16, (with color ill. 63, p. 79).
Sammlung Bunte. Positionen der klassischen Moderne, Kunstmuseum Ahlen, Feb. 25–May 28, 2007; Lyonel-Feininger-Galerie, Quedlinburg, Dec. 1, 2007–March 2, 2008; Städtische Galerie, Böblingen, March 16–June 29, 2008; August Macke Haus, Bonn, Feb. 13–May 17, 2009; Egon Schiele Art Centrum, Krumau, Oct. 31, 2008–May 17, 2009, ill. p. 232.
Gabriele Münter und die Volkskunst, Murnau Castle Museum, July 27–November 12, 2017.
Hermann Stenner und seine Zeit: “… dies Streben nach dem ganz Grossen etwas in der Kunst …”, Kunstforum Hermann Stenner, Bielefeld, January 20–August 18, 2019, cat. no. 177.
Sammlung Bunte. Expressionistische Meisterwerke des 20. Jahrhunderts, Ausstellungszentrum Gut Altenkamp, Papenburg, July 12–October 25, 2020.
Hermann Stenner: Hymnen an das Leben. Werke aus der Sammlung Bunte, Städtisches Museum Engen + Galerie, February 28–July 2, 2023, cat. 69, ill. p. 112.
LITERATURE: Jutta Hülsewig-Johnen, Christiane Reipschläger, Hermann Stenner. Werkverzeichnis der Gemälde, published by the Freundeskreis Hermann Stenner e. V., Bielefeld 2003, CR no. 139 (with color illustration).
Hans Georg Gmelin, Hermann Stenner 1891–1914, Munich 1975, CR no. G 135.
- -
Auktionshaus Dörling, Hamburg, auction Dec. 6, 1984, lot 9484.
In good condition. The painting board, formerly painted on both sides, was split (catalogue raisonné no. 138). The edges of the image slightly irregularly trimmed and with slight marks and small color losses along the edges, probably due to a previous framing. With small retouched spots, mainly in margins and the center of the image. Upper left with two to three small holes, only visible against backlight. The condition report was compiled in daylight with the help of an ultraviolet light and to the best of knowledge.
1891 - 1914
Stillleben mit Tierfiguren und einem Buch (Hahn, Henne und Schachtel). 1913.
Oil on cardboard.
Inscribed “Stenner 1913” by hand on the reverse. 33.3 x 31.5 cm (13.1 x 12.4 in).
[AR].
• A pronounced simplification of form and colo6r, revealing Hermann Stenner’s full, expressive creative vision.
• 1913 is considered a productive and successful creative year, during which his artistic abilities reached a peak.
• Following his early death on the Polish Eastern Front, he left behind a small but significant body of work of great artistic quality.
PROVENANCE: Erich Stenner, Bielefeld.
Galerie Schlichtenmaier, Grafenau.
Rolf Deyhle Collection, Stuttgart.
Hermann-Josef Bunte Collection, Hamburg/Bielefeld (acquired from the aforementioned).
Private collection, Southern Germany.
EXHIBITION: (Selection): Hermann Stenner 1891–1914, Galerie Schlichtenmaier, Dätzingen Castle, Nov. 27, 1988–Jan. 14, 1989, cat. no. 16, illustrated on p. 16.
Vom Anspruch der Farbe. Adolf Hölzel und seine Wirkung, Kunststiftung Hohenkarpfen, March 18–May 21, 1989, cat. no. 71.
Stillleben südwestdeutscher Künstler 1900–1950, Kunststiftung Hohenkarpfen, July 7–November 24, 2002, cat. no. 27, illustration 9, p. 20.
Hermann Stenner und der Hölzel-Kreis. Malerei und Graphik aus der Sammlung Bunte, Kunststiftung Hohenkarpfen, Apr. 13–Aug. 17, 2003, cat. no. 16, (with color ill. 63, p. 79).
Sammlung Bunte. Positionen der klassischen Moderne, Kunstmuseum Ahlen, Feb. 25–May 28, 2007; Lyonel-Feininger-Galerie, Quedlinburg, Dec. 1, 2007–March 2, 2008; Städtische Galerie, Böblingen, March 16–June 29, 2008; August Macke Haus, Bonn, Feb. 13–May 17, 2009; Egon Schiele Art Centrum, Krumau, Oct. 31, 2008–May 17, 2009, ill. p. 232.
Gabriele Münter und die Volkskunst, Murnau Castle Museum, July 27–November 12, 2017.
Hermann Stenner und seine Zeit: “… dies Streben nach dem ganz Grossen etwas in der Kunst …”, Kunstforum Hermann Stenner, Bielefeld, January 20–August 18, 2019, cat. no. 177.
Sammlung Bunte. Expressionistische Meisterwerke des 20. Jahrhunderts, Ausstellungszentrum Gut Altenkamp, Papenburg, July 12–October 25, 2020.
Hermann Stenner: Hymnen an das Leben. Werke aus der Sammlung Bunte, Städtisches Museum Engen + Galerie, February 28–July 2, 2023, cat. 69, ill. p. 112.
LITERATURE: Jutta Hülsewig-Johnen, Christiane Reipschläger, Hermann Stenner. Werkverzeichnis der Gemälde, published by the Freundeskreis Hermann Stenner e. V., Bielefeld 2003, CR no. 139 (with color illustration).
Hans Georg Gmelin, Hermann Stenner 1891–1914, Munich 1975, CR no. G 135.
- -
Auktionshaus Dörling, Hamburg, auction Dec. 6, 1984, lot 9484.
In good condition. The painting board, formerly painted on both sides, was split (catalogue raisonné no. 138). The edges of the image slightly irregularly trimmed and with slight marks and small color losses along the edges, probably due to a previous framing. With small retouched spots, mainly in margins and the center of the image. Upper left with two to three small holes, only visible against backlight. The condition report was compiled in daylight with the help of an ultraviolet light and to the best of knowledge.
Similar objects on the international auction market
HERMANN STENNER
Tulpen in grüner Vase, 1912
Oil on canvas
Sold: € 95,250
Tulpen in grüner Vase, 1912
Oil on canvas
Sold: € 95,250
HERMANN STENNER
Blumenstilleben auf Schwarzem Grund II, 1913
Oil on canvas
Sold: € 63,500
Blumenstilleben auf Schwarzem Grund II, 1913
Oil on canvas
Sold: € 63,500
HERMANN STENNER
Blumenstilleben auf schwarzem Grund III (Anemonenstrauß), 1913
Oil on cardboard, laid on cardboard
Sold: € 34,290
Blumenstilleben auf schwarzem Grund III (Anemonenstrauß), 1913
Oil on cardboard, laid on cardboard
Sold: € 34,290