40
Walasse Ting
Cool Wind, 1972
Acrylic on canvas
Starting bid:
€ 12,000 Estimate:
€ 15,000 - 20,000End: 04-15-26 15:19:00 Berlin
04-15-26 09:19:00 New York
04-15-26 06:19:00 Los Angeles (30 days, 17h:52m)
04-15-26 09:19:00 New York
04-15-26 06:19:00 Los Angeles (30 days, 17h:52m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
40
Walasse Ting
Cool Wind, 1972
Acrylic on canvas
Starting bid:
€ 12,000 Estimate:
€ 15,000 - 20,000End: 04-15-26 15:19:00 Berlin
04-15-26 09:19:00 New York
04-15-26 06:19:00 Los Angeles (30 days, 17h:52m)
04-15-26 09:19:00 New York
04-15-26 06:19:00 Los Angeles (30 days, 17h:52m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
Walasse Ting
1929 - 2010
Cool Wind. 1972.
Acrylic on canvas.
Signed, dated and titled on the reverse of the canvas. 140.5 x 170.5 cm (55.3 x 67.1 in).
[MH].
• The crisp and cool colors instantly create a feeling of freedom and lightness.
• A wonderful symbiosis of title and image.
• In this work, Walasse Ting incorporates influences from American Abstract Expressionism.
PROVENANCE: Private collection, Berlin (for ca. 30 years, gifted from the artist).
In good condition. With small tears in the impasto areas in the lower left half of the painting. The condition report was compiled in daylight with the help of a UV light source and to the best of our knowledge and belief.
1929 - 2010
Cool Wind. 1972.
Acrylic on canvas.
Signed, dated and titled on the reverse of the canvas. 140.5 x 170.5 cm (55.3 x 67.1 in).
[MH].
• The crisp and cool colors instantly create a feeling of freedom and lightness.
• A wonderful symbiosis of title and image.
• In this work, Walasse Ting incorporates influences from American Abstract Expressionism.
PROVENANCE: Private collection, Berlin (for ca. 30 years, gifted from the artist).
In good condition. With small tears in the impasto areas in the lower left half of the painting. The condition report was compiled in daylight with the help of a UV light source and to the best of our knowledge and belief.
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