3
Roy Lichtenstein
Mirror #4, 1972
Mixed media
Starting bid:
€ 7,500 Estimate:
€ 8,000 - 12,000End: 07-15-26 15:01:00 Berlin
07-15-26 09:01:00 New York
07-15-26 06:01:00 Los Angeles (29 days, 18h:12m)
07-15-26 09:01:00 New York
07-15-26 06:01:00 Los Angeles (29 days, 18h:12m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
3
Roy Lichtenstein
Mirror #4, 1972
Mixed media
Starting bid:
€ 7,500 Estimate:
€ 8,000 - 12,000End: 07-15-26 15:01:00 Berlin
07-15-26 09:01:00 New York
07-15-26 06:01:00 Los Angeles (29 days, 18h:12m)
07-15-26 09:01:00 New York
07-15-26 06:01:00 Los Angeles (29 days, 18h:12m)
After entering your maximum bid you will be able to check your entry and you will be provided with further information. Only after a further confirmation your bid will be binding.
Roy Lichtenstein
1923 - 1997
Mirror #4. 1972.
Mixed media. Linocut, color silkscreen, and embossed print.
Signed, dated, and numbered. From an edition of 80 copies. On light cardboard. Diameter: 53.5 cm (21 in). Sheet: 71,1 x 70,9 cm (27,9 x 27,9 in).
From the “Mirror Series”. Printed and published by Gemini G.E.L., Los Angeles (with the dry stamp and copyright dry stamp, as well as the publisher’s stamp and the handwritten registration number “RL 72 - 432” on the reverse). [KA].
• From the famous “Mirror Series” (1969–1972).
• Roy Lichtenstein is one of the leading figures of American Pop Art.
• The artist’s prints are held in renowned international collections, including the Museum of Modern Art and the Metropolitan Museum of Art, New York, as well as the Kunstmuseum Basel.
PROVENANCE: Carlton Fine Arts, New York.
Private collection, Hesse (acquired from the above).
EXHIBITION: Mirror Series, Castelli Graphics, New York, November 18 - December 9, 1972 (presumably a different copy).
LITERATURE: (Presumably a different copy in each case):
Theil, Andrea. “Mirror #4, 1972 (RLCR 2035).” In Roy Lichtenstein: A Catalogue Raisonné. New York: Roy Lichtenstein Foundation. www.lichtensteincatalogue.org/catalogue/entry.php?id=13 (accessed June 3, 2026).
Mary Lee Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948–1997, New York 1994, CR no. 109 (illustrated in color).
In good condition. The edges of the sheet show slight color variation and, in places, a few fine, streaky surface abrasions—likely caused by framing—as well as small, glossy remnants (visible only in oblique light) of a previous mounting. Two tiny handling marks on the lower left edge of the sheet.
1923 - 1997
Mirror #4. 1972.
Mixed media. Linocut, color silkscreen, and embossed print.
Signed, dated, and numbered. From an edition of 80 copies. On light cardboard. Diameter: 53.5 cm (21 in). Sheet: 71,1 x 70,9 cm (27,9 x 27,9 in).
From the “Mirror Series”. Printed and published by Gemini G.E.L., Los Angeles (with the dry stamp and copyright dry stamp, as well as the publisher’s stamp and the handwritten registration number “RL 72 - 432” on the reverse). [KA].
• From the famous “Mirror Series” (1969–1972).
• Roy Lichtenstein is one of the leading figures of American Pop Art.
• The artist’s prints are held in renowned international collections, including the Museum of Modern Art and the Metropolitan Museum of Art, New York, as well as the Kunstmuseum Basel.
PROVENANCE: Carlton Fine Arts, New York.
Private collection, Hesse (acquired from the above).
EXHIBITION: Mirror Series, Castelli Graphics, New York, November 18 - December 9, 1972 (presumably a different copy).
LITERATURE: (Presumably a different copy in each case):
Theil, Andrea. “Mirror #4, 1972 (RLCR 2035).” In Roy Lichtenstein: A Catalogue Raisonné. New York: Roy Lichtenstein Foundation. www.lichtensteincatalogue.org/catalogue/entry.php?id=13 (accessed June 3, 2026).
Mary Lee Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948–1997, New York 1994, CR no. 109 (illustrated in color).
In good condition. The edges of the sheet show slight color variation and, in places, a few fine, streaky surface abrasions—likely caused by framing—as well as small, glossy remnants (visible only in oblique light) of a previous mounting. Two tiny handling marks on the lower left edge of the sheet.
Similar objects on the international auction market
Mirror #4 from the Mirror series (1972)
Linolschnitt (embossed), screenprint in colors/Arjomari paper
Ed. 47 / 80
Sold: € 14,606